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THE DR. I. M. CLINE COLLECTION 
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_ New Orleans, Louisiana 


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Under the Wauseomrut of 


SAMUEL T. FREEMAN & CO: 


i es) AUCTIONEERS : 
-~ 1808-10 Chestnut Street 80 Federal Street 
et Pi Philadelphia, Pa. Boston, Mass. 
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Samuel T, Freeman & Co. 


AKE pleasure in announcing an exceedingly important 
Sale of American Portraits by Eminent American Artists 
which formed the collection of 


Weel. CLINE 


of New Orleans, Louisiana 


and others 


which will be sold 


IN OUR ART GALLERIES 
1808-10 Chestnut Street Philadelphia, Pa. 


Monday and Tuesday 
January 17 and 18, 1927 
at 2.30 P. M., each day 


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The collection will be on view from Thursday, January 13th, 
until the day of sale 


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SAMUEL T. FREEMAN & CO. 
AUCTIONEERS 
1808-10 Chestnut Street 80 Federal Street 


Philadelphia, Pa. Boston, Mass. 


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CATALOGUE COMPILED 


SAMUEL T. FREEMAN & CO. 


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~PORTRAITS OF EARLY AMERICANS 
By AMERICAN PAINTERS 


To the casual observer the title of this Catalogue may mean very little, but 
when its contents are understood it must appeal not only to all collectors and art 
dealers, but in a special sense to anyone who is seeking a beautiful or interesting 


picture for its own sake. 


An exhibition of American portraits is not an unusual thing in our great 
cities, but this collection will hold the attention of art lovers not only because of its 
intrinsic interest, but also because of the way in which it was brought together. The 
pictures have not been culled from various sources as is often the case, but have 
3 been the result of the efforts of one man, Dr. Cline, of New Orleans, Louisiana, 
who through years of study, and with a very real love for the beautiful, found de- 
light in seeking worthy examples of early American art in the aristocratic old homes 
of the South, and more particularly among some of the most exclusive families of 
old Louisiana. In many cases the pictures were difficult to obtain because of the 
hesitation on the part of the owners to give up such intimate family treasures, and 
often when a family portrait was eventually sold it was with the expressed wish 
that the name of the owner and subject remain unknown, the obvious result ‘being 
that in some cases it has been difficult to make an attribution or to give the full 
history of the picture. 


That it has been possible to bring together in so interesting a manner such a 
collection of early American portraits as are now offered for sale, is a tribute not 
only to appreciation on the part of the public in acquiring portraits of merit, but 


also to the development of its interest in the earlier period of the art of the nation. 


American portraits are now sought for with an avidity which shows that they 
are appreciated in many homes, where they seem to give the dominant note to the 
character of the rooms in which they hang, not only because of the personality of 


the subject, but because of the manner in which they are executed. 


MANTLE FIELDING. 


Terms and Conditions of Sale of Personal Property. 
SPECIAL NOTICE—No employee is authorized to alter these terms. 


Take notice: All persons acknowledge to have full knowledge of these terms and agree 
to be bound thereby. Bidders shall be held liable under these Terms and Conditions 
of sale for every article knocked.down to them. 

The Auctioneers reserve the right to add one or more to the following Terms and Con- 
ditions of Sale. 


1 DISPUTE BETWEEN BIDDERS.—tThe highest bidder to be the buyer, 
subject to the terms of sale, and if any dispute arises between two or more bidders, 
the Auctioneers shall either decide the same or the lot so in dispute shall be im- 
mediately put up again and re-sold. The Auctioneer’s decision shall be absolute. 


2 NOMINAL OR FRACTIONAL BIDS.—Any bid which is merely a nominal 
or fractional advance may be rejected by the Auctioneer if in his judgment such 
bid would be likely to affect the sale injuriously. 


3 METHOD.—AII lots catalogued by weight, count, measure or unit will be 
sold in like units as catalogued unless specifically changed by announcement by the 
Auctioneer. When in one lot there is a large quantity of like material, the Auc- 
tioneer reserves the right to sell in such units or groups thereof as he deems most 
expedient. Lots will not be subdivided nor grouped unless specific announcement is 
made. Whenever Court order requires it or when in the judgment of the Auctioneer 
the best interest of the seller will be served, the property herein listed may be offered 
first as an entirety and then in separate lots. 


4 DEPOSIT AND IDENTIFICATION.—Purchasers shall give names and 
addresses and make a deposit of 25 per cent. of the bid, or so much more (up to the 
full amount bid) as the Auctioneers may require. In default of such deposit being 
made, the lot may be immediately put up again and re-sold. 


5 APPLICATION OF DEPOSITS.—AIl deposits made are applicable to any 
or all purchases either at this sale or at any previous sale. 


6 CONDITION OF ARTICLES SOLD.—The lots shall be taken away and 
paid for at the buyer’s risk and expense within the time announced by the Auctioneer, 
the Auctioneer not being responsible for the correct description, genuineness, authen- 
ticity or defect in any lot, and making no warranty in connection therewith. No 
sale will be set aside nor allowance made on account of any incorrectness, error in 
cataloguing, or any imperfection not noted. No deduction on damaged articles, all 
goods are exposed for public exhibition, and sold ‘‘as is’ and without recourse. 
Purchases will be delivered only upon presentation of receipted bill therefor. 


7 REMOVAL, EXAMINATION AND PAYMENT.—No lot can on any ac- 
count be removed during the sale; and the full purchase money on all lots sold to 
the same buyer must absolutely be paid within the time fixed and before the ex- 
amination or removal of the goods. 


8 TIME ALLOWED FOR PAYMENT AND REMOVAL.—The time allowed 
for payment of bills and removal of goods is either printed in the catalogue or an- 
nounced by the Auctioneer and can always be obtained from the office of the Auc- 
tioneers. It is the duty of all purchasers to inform themselves thereof and no re- 
sponsibility shall rest upon the Auctioneer by reason of the purchaser’s ignorance 
thereof. The Auctioneer shall have the right and option, but shall be under no obliga- 
tion, to remove and store, at purchaser’s expense and risk, any article not paid for and 
removed by the purchaser within the time allowed, pending final disposition thereof. 


9 PURCHASER’S RISK.—AII purchases made at this sale are at the pur- 
chaser’s risk as soon as they are struck off and deposit made; the Auctioneers and 
their principal not being responsible if all or any part of such purchases be lost, 
stolen, damaged or destroyed. 


10 CLAIMS.—AII claims must be made before the removal of the goods. 


11 CLAIMS ON ESTIMATED WEIGHTS, COUNTS AND MEASURES.— 
In case of purchases for which settlement is required by estimated or actual weights, 
counts or measures, no adjustments will be made after the time allowed by the Auc- 


noneers for the removal of the purchases. No adjustment made on items sold by 
the lot. 


12 RECORDS.—tThe record kept by the clerk of the sale, together with the 
marked catalogue of the Auctioneers, shall in all cases be accepted by the buyers as 
final when any question arises 


13.5 COMPLIANCE WITH TERMS.—In addition to any other remedies given 
by law to the seller and to the Auctioneer, it is agreed that in case of failure by the 
purchasers to comply with these terms, all money received as deposit or otherwise, 
may be retained by the Auctioneers, and that lots not paid for and removed within 
the time allowed under the terms, may be re-sold at public or private sale without 
further notice. Any deficiency attending such re-sale shall be paid to the Auctioneers 
by the purchasers at this sale, together with all charges and expenses incurred by 
reason of such re-sale. 


_ 14 RESPONSIBILITY FOR NON-DELIVERY.—The Auctioneers shall n> 
in any event be liable for non-delivery or for any other thing to any purchase r of an 
lot other than for the return to the purchaser of the deposit or sum paid on said lot 


15 LIABILITY.—The Auctioneers shall not be liable to any person, by or be- 


Ooh of any defect in or the condition of the premises upon which the sale shall be 
eld. 


16 RESERVE.—In case of lots upon which there is a reserve, the Auctioneers 
shall have the right to bid on behalf of the seller. 


_l7 COURT CONFIRMATION.—AIl sales made by order of the Court are 
subject to the confirmation of the Court ordering the sale The Auctioneers reserve 
the right to reject any or al bids. 


_18 DEPOSITS AND CREDIT THEREFOR.—Deposits must be paid in cash 
or in certified check. Deposit receipts must be returned to the Auctioneers at time 
and place of payment of bill or no credit can be allowed therefor. 


19 SALE BY ESTIMATED WEIGHT, COUNT OR MEASURE.—In cases 
where items are sold by estimated weight, count or measure, the purchaser will be 
billed for and required to pay for the estimated weight, count or measure. If any 
shortage be shown upon delivery the purchaser will be rebated therefor at the rate 
of purchase. If there be an excess over the estimated weight, count or measure, 
the purchaser shall be required to take such excess at the rate of purchase. 


__20 RISK TO PERSON OR OF PROPERTY.—Persons attending during ex- 
hibition, sale of and removal of goods assume all risks of damage of or loss to person 
or property and specifically relieve the Auctioneers from liability therefor. 


21 SAMPLES.—In every case where samples of the lots are shown, these 
samples to the best of our belief are true and fair, but bidders are cautioned that 
they must make examination of lots before the sale and no allowance will be made 
on account of any difference between the sample and the lot. The location of every 
lot is obtainable from the Auctioneers and it is the duty of purchasers to make ex- 
_ amination before the sale. In cases of lots sold by description, the information has 
been obtained from reliable sources and is believed to be correct, but cannot be 
guaranteed. 


22 DRAYAGE AND CARTING.—The Auctioneers are in no manner connected 
with the business of the cartage or packing and shipping of purchases and will not 
be responsible for the acts or charges of the parties engaged for such services. Pur- 
chasers. during the period allowed for the removal of goods must comply with 
reasonable regulations imposed by the Auctioneers. 


23 ADDITION TO OR WITHDRAWAL FROM SALE.—The Auctioneers re- 
serve the right to withdraw from sale any of the property herein listed or to sell at 
this sale property not herein listed, and also reserve the right to group one or more 
lots into one or more selling lots or to subdivide lots into two or more selling lots. 


24 AGENCY.—The Auctioneers are acting as agents only and are not re- 
sponsible for the acts of their principals. The name and address of the person placing 
any property with us for sale will be given to the purchaser upon request. 


25 PAYMENT.—Payment must be made in cash or in certified check, drawn 


to the order of the Auctioneers. 


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NOTE.—The Auctioneers, while not incorporating the following in the Terms 
of Sale, desire to state that they will be glad to receive commissions to purchase 
which will be executed by them without charge in the interest of the bidder, the 
same as if he was present. Such purchases, however, are made subject to the Terms 
of Sale. Every reasonable effort will be made by the Auctioneers to take all usual 
precautions for the care and protection of the goods during the time allowed for the 
removal thereof. It is the usual practice of the Auctioneers to have present at the 
sales, several riggers with whom purchasers may make arrangements for the removal 
and shipment of their purchases. 


For list of Artists 
see last page of 


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No. | 


EARLY AMERICAN 
Lady with a Rose (about 1830) 


sing) ile 


Panel, size 10x8 inches. 


No. 2. 


EARLY AMERICAN 3 a, 
A Louisiana Planter (about 1830) 


Panel, size 11x9 inches. 


No. 3 


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EARLY AMERICAN 2 fees 
Miss Emma Shields 


Daughter of Thos. Shields, a noted belle of New Orleans in the ’thirties, 
mentioned in Mrs. Ripley’s “Social Life in Old New Orleans.” 

Half length sitting portrait, body turned toward the left, head slightly to 
front, the right arm resting on the arm of a chair and the left on her lap, the 
low cut black dress revealing chest and shoulders; hair is black, arranged in 
puffs at the ears. 


Canvas 36x29 inches. 


Purchased from descendants of Levi Pierce, her stef-father. 


No. 4 sf 
once 
POWERS, A. G. (1847) 
Portrait of a Lady 


Canvas 27x22 inches. 


No. 5 
ARTIST UNKNOWN 
Portrait =r 
age? 
Bust of young man with fur collar. 


Canvas 20x16 inches. 


No. 6 


EARLY AMERICAN 
Portrait of Mrs. Maignan 5 Oo 


Half length, sitting on a chair in profile to the right, head turned three- 
quarters toward the observer. The strong features and dark hair are relieved by 
a filmy cap and lace collar. She wears a black dress and holds a letter in her 


left hand. 
Canvas 36x28 inches. 


Purchased from descendants. 


No. 7 


EARLY AMERICAN 35 — 


Portrait of a Lady 


Bust turned toward the left, the brown hair brushed flat and parted in the 
centre and hanging in curls below the ears. 


Panel 21x17 inches. 


No. 8 


JOHNSON, EASTMAN 
(American, 1824-1906) 


Portrait of a Man Said to be D’Israeli a =_ 


Half length, sitting in an arm chair, three-quarters to the right, hands rest- 
ing on the arms of the chair. The features are strong, eyes dark and piercing, 
the forehead high with the black hair brushed forward over the ears; he wears 
a short beard under the chin, and sits in an erect position, wearing a black 
coat, high stock collar and black stock. 


Canvas 41x33 inches, oval, in oval frame. 


Purchased in Washington, D. C. 


No. 9 


EICHHOLTZ, JACOB 
(American, 1776-1842) 
(Pupil of Thomas Sully) Go.| 


Mr. and Mrs. Joseph Benedict G 
l ap §-- 


Half length portraits, in the style of the period. Purchased from descend- 
ants. 


Canvases 30x24 inches. Two Pieces. 


No. 10 


DUVENECK, FRANK 
(American, 1845-1919) 


Symphony in Black ‘Ne % oO, 


Said to be a portrait of the artist’s wife. Purchased in New Orleans from 
a member of the family of the German banker Baron Knoppf, who purchased 
it from the artist’s studio in Munich. 

Frank Duveneck was born in Covington, Kentucky, about 1845. He was 
a student in Paris for ten years or more and was a pupil of Diaz. He sent five 
portraits to the Boston Art Club in 1875, and in 1877 he exhibited at the Na- 
tional Acadmey of New York. He maintained a studio in Munich and Florence, 
and in Boston, Mass., for two years. Elected member of National Academy in 


1906. He died in Cincinnati, Ohio, in 1919. 
Canvas 34x27 inches. 


No. I1 


PAYG. PsA, 
(American, 1813-1894) 
Member of the National Academy of Design 


Peter Neefe Wood a Si: 


A financier before the Civil War, in New Orleans. Half length sitting, 
three-quarters to the left, left hand resting on arm of the chair, head toward the 
front, the dark eyes looking at the observer. Dark hair and moustache and goatee 
and beard slightly grey. He wears a black coat and waistcoat, stock collar and 
black scarf. 

Canvas 36x29 inches. 


Purchased from Mr. Wood's son. 


No. 12 


AMANS, JAQUES 
(American, 1801-1888) 


Miss Landrieux d: 3 ©. 


Member of a well-known French family living in New Orleans. Three- 
quarter length, sitting. 

Jaques Amans, painter, born in 1801, died in Paris in 1888. Painted por- 
traits in New Orleans from 1828 to 1856. Amans is a forceful painter concerning 
whose work nothing is known except the portraits painted in New Orleans. 
His work compares favorably with the best portrait painters of today. 


Canvas 38x30 inches. 


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CHARPENTIER, AUGUSTE f 
(American, 1815-1880) (220). 


Mrs. Fernandez de Fuentes 


A member of the well-known Caillier family of New Orleans. 


Canvas 36x27 inches. 


No. 14 


BERNARD, FRANCISCO 


(American) 
A. Miss Olivier 


A three-quarter length, sitting toward the left, hands resting on the lap. 
The face is round and strong and turned to the front, the dark eyes peering at 
the spectator. The black hair parted in the centre and brushed down over the 
ears. She wears a black dress, with broad lace trimmed sleeves and a deep lace 
collar. 


Canvas, oval, 42x32 inches, in oval frame. 


Painted in New Orleans between 1848 and 1867. 


No. 15 


MORSE, S. F. B. (Attributed to) 
G ve (American, 1791-1872) 
(Pupil of Benjamin West, and inventor of the telegraph.) 


Mrs. Wm. Pierce (Caroline Shields) 


Sister of Thos. Shields, officer under Andrew Jackson at the battle of 
New Orleans. Half length portrait, in white dress and blue cloak. 


Canvas 30x25 inches. 


Purchased from descendants. 


No. 16 


ARTIST UNKNOWN 


ie VOI Nicholas Girrod 


Bust portrait, in black coat, stock collar, etc. Financed a fleet to take 
Napoleon off St. Helena and was a leader in political and financial affairs. 


Canvas 26x22 inches. 


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No, 17 


INMAN, HENRY (Attributed to) 
(American, 1801-1845) 


J. Perry, U. S. Navy Orie a 


6 


Brother of Commodore Perry. Bust portrait in uniform, body to the left, 
head turned to the front and looking at the observer. 


Canvas 27x22 inches, framed in oval. 


No. 18 


ARTIST UNKNOWN =, 
(7 Zs 


Thomas Urquhart 


Half length portrait to the left, wearing a black coat, white vest and white 
scarf. 


Panel 10x8 inches. 


Purchased from descendants. 


No. 19 


HARDING, CHESTER 
(American, 1792-1866) 


Ss 
Mrs. John C. Calhoun 2o2£ 
(Neé Floride Calhoun), cousin of the Hon. John C. Calhoun, whom she 

married in 1811, the same year he was elected a member of Congress. 
Full bust, head to right, dark hair parted in the middle with curls on 


either side of face. Sprigged net fichu worn over dark dress. Background 


neutral. 


Canvas 30x25 inches. 


No. 20 


EARLY AMERICAN 


Ms Ae be, Lord Byron 


Lo. 


aL. 


Head turned and looking toward the left, with the bust three-quarters to 
the right, wearing a deep rolling collar and heavy dark cloak. The face is round 
and strong, hair dark and bushy. Against a dark greenish neutral background. 


Canvas 30x26 inches. 
Purchased from M. Marcel. 


No. 21 
BOWMAN, F. G. 
(American) 


Portrait of a Gentleman 


Man with a purple coat, high stock collar and black scarf, metal buttons 
on the coat. Bust three-quarters to the right, face toward the front, dark bushy 
hair brushed back. 


Canvas 30x25 inches. 


No. 22 


VANDERLYN, JOHN (Attributed to) 
(American, 1775-1852) 


Mrs. Charlotte Catharine Surget Bingaman 
Nearly half length portrait, body to the left, head toward the front, the 
dark eyes looking at the observer and the dark hair brushed close to the head. 


She wears a hood of very sheer material and lace tied with a bow of ribbon 
below the chin. Against a dark neutral background. 


Canvas 30x25 inches. 


Subject was one of the Surget family who made contributions to Taulane Uni- 
versity and a portrait of her is in the Surget Collection. 


rt) ide all 


No. 23 
HARDING, J. L. 


(American) 


Portrait of a Man ae Y - 


Half length, sitting before a table on which are scrolls of paper, etc. His 
arms are folded, he wears black clothing, stock collar and green scarf. The face 
is clean shaven, hair dark and well groomed over a high forehead, curly over 
the ears. 


Signed at lower left. 
Canvas 32x27 inches. 
J. L. Harding painted in New England about 1825. 


No. 24 


ARTIST UNKNOWN 
Mrs. Abraham Lincoln 


Aik 


Mrs. Abraham Lincoln (nee Todd, 1818-1882). This portrait was so 
catalogued in Dr. Cline’s collection, and he stated he bought it as portrait of 
Mrs. Abraham Lincoln painted soon after she was married in 1842. 

Mary Todd was born in Kentucky in 1818, she is described as “rather 
plain of face, and ostentatious in dress with a preference to low-necked gowns.” 
All of which is indicated in the portrait. 


Canvas 27x34 inches. 


No. 25 


JOUETT, MATTHEW HARRIS (Attributed to) 
(American, —— 1827) 


TadseDe A: Hall 17 SO 


Nearly half length sitting toward the left, head toward the front. Wear- 
ing a black coat with high turned coat collar, white collar and scarf. The 
features are strong and muscular, the thin grey hair brushed down at the sides. 


Canvas 30x25 inches. 
Purchased from Mrs. Judge Tissot. 


220. 


No. 26 


WALDO, SAMUEL L., and JEWETT, WILLIAM 
(American, 1783-1861; 1795-1874) 


James K. Polk 


Eleventh president of the United States. He was born in North Carolina 
in 1790 and died in Tennessee in 1849. He was a member of the nineteenth 
Congress of the United States under the administration of Andrew Jackson, and 
it was about this period that his portrait was painted by Waldo & Jewett in 
New York City in 1833. 

William Jewett, portrait painter, was born in 1795 at East Haddam, Conn., 
and died in 1873 at Bayonne, N. J. He formed a partnership with Samuel L. 
Waldo, the portrait painter, in New York City, where they collaborated for 
eighteen years in painting portraits. They were both elected Associate Members 
of the National Academy of Design. 


Canvas 36x28 inches. 


Illustrated. 


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NO. 26 


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No. 27 
WALDO, SAMUEL L. (1833) 
(American, 1783-1861) 
= 
. o- Portrait of a Gentleman 


Half length bust to the left, head turned to the front and looking at the 
observer. Strong, well-rounded features, clean shaven face, and dark hair. 
Wearing a black coat, high stock and white jabot. Against a dark neutral 


background. 
Purchased from A. S. Caillier. 
Canvas 30x24 inches. 


See Frontispiece. 


No. 28 


HEALEY, G. P. A. (Attributed to) 
(American, 1813-1894) 


Miss Villars 
ay 
1 Bust portrait. In low cut dress, body slightly to the left, the head resting 
on the right hand and the deeply arched eyes look at the observer. The hair is 
black and arranged in high puffs. 


Canvas 2514x22 inches. 


No. 29 


AMANS, J. G. L. (Attributed to) 
(American, 1801-1888) 
Lady with Lace Bonnet. 
$ 0- 
Half length portrait of lady with black hair parted in the middle and 


brushed down over the ears; in low fashioned black dress, and wearing a filmy 
lace cap and scarf. In her right hand she holds a miniature portrait. 


Canvas 34x27 inches. 


No. 30. 


INGHAM, CHAS. CROMWELL 
(American, 1863 ——) 


Portrait of Mrs. Brand ; ois 


Nearly half length sitting in a chair, a middle-aged woman with brown hair 
parted in the middle and brushed tightly over the ears. She wears a bodice, 
open down the front, revealing a white lace front and deep collar. 


Canvas 30x25 inches. 


Purchased from descendants. 


No. 31 


VAUDECHAMP, JEAN JOSEPH 
(American, 1790-1886) 


Mrs. Labranch 


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Wife of a Louisiana Congressman. Half length, robed in a green dress with 
a lace collar. The dark hair is arranged in large puffs, the features round and 
strong, the dark blue eyes looking straight at the observer. Her hands rest 
across her waist, the left holding a letter. 


Signed at lower right. 
Canvas 32x26 inches. 


A French painter who had a studio for several years in New Orleans. 


Painted about 1830. 


No. 32 


INMAN, H. 
(American, 1801-1845) 


-_- 
Portrait. 7 by) 


Col. D. Perkins, of Boston. Bust portrait, sitting to the right, with the 
head front, and eyes looking at the observer. The features are strong, the hair 
dark brown and brushed back over the high forehead, and wearing side whiskers. 
He wears a black coat and waistcoat, high stock collar with scarf. 


Canvas 30x25 inches. 


No. 33 


ROTHERMEL, P. F. 
(American, 1817-1895) 


] F< M. Hudnut | 
He was born in Berwick, Columbia County, La. Short bust length, three- ; 
quarters to the left. | 


Framed in oval, 19x15 inches. 


No. 34 


‘ 
. 


EARLY AMERICAN 
Thomas MacDonough, U. S. N. (1783-1825) 


-— 
7) 07 Half length, three-quarters to the right, wearing uniform braided with 
gold, and epaulettes. 


Canvas 30x24 inches. 


No. 35 


WEYL, MAX 
(American, 1837-1914) 


Self Portrait of the Artist, Presented to S. M. Gaines 
¢ re Panel 5x4 inches. 


Represented in Corcoran Art Gallery and National Art Gallery in Washing- 
ton, D. C. 


No. 36 


ARTIST UNKNOWN S0 
Lo 
Portrait of a Young Gentleman 

Light brown hair, blue eyes, face turned toward the left. He wears a blue 


coat, cloak with fur collar, white flouncing, etc. 


Canvas 12x10 inches. 


No. 37 
EARLY AMERICAN 
Daniel Webster | fi oO 


_ Bust portrait, three-quarters to the left. In stock and white scarf. 


Canvas 30x25 inches. 


Purchased from the Tissot Collection. 


No. 38 


ARTIST UNKNOWN 


Charles James Fox Lo 


Nearly half length, in red coat, white scarf and jabot. The full round face 
is seen beneath a grey curled wig, and against a neutral dark brown background. 


Canvas 30x25 inches. 
Purchased from M. Marcel. 


No. 39 


JARVIS, JOHN WESLEY (Attributed to) 


(American, | 780-| 839) 
Mrs. Barnett 


a4 5 


Wife of Judge Alphonse Barnett. Half length portrale sitting toward the 
left, wearing a low cut black dress. | 


Canvas 33x27 inches. 


No. 40 


INGHAM, CHAS. CROMWELL (1853) 
(American, 1863 ——) 


: if - Portrait of Master Brand 


Poa Canvas 20x17 inches, framed in oval. 


Purchased from descendants. 


No. 41 


JARVIS, JOHN WESLEY (Attributed to) 
(American, 1780-1839) 


\ 0 “ Portrait 
Man with black coat and black scarf. Has black hair and side whiskers. 
Panel 12x9 inches. 


No. 42 


EARLY AMERICAN (1835) 


oO 
Bust Portrait fe 7 o 


Probably a portrait of Jefferson Davis as a young man. Bust three-quarters 
to the left, face turned toward the front. Bushy dark hair brushed forward on 
the high forehead and thick over the ears, and beard trimmed short. He wears 
a black coat and waistcoat, stock collar and black scarf. 


Canvas 25x21 inches. 


Purchased from Mrs. Bob Turner, Baton Rouge, La. 


SASS - ra s 
cengax No. 43 
ac aoe gee b Oo e 
ns 


JOUETT, MATTHEW HARRIS 
(American, —— 1827) 


IL 6, se Dr. Brashear 


Bust portrait three-quarters to right. Hair dark brown and curly, brushed 
back from the high forehead. He wears a black coat, stock collar and white 
scarf and spectacles, and has side whiskers. 


Canvas 26x21 inches. 


No. 44 


DUVENECK, FRANK 
(American, 1845-1919) 


Oe 


Brother of the artist, painted about 1902. Purchased from William Traxel, 
art dealer, Cincinnati, Ohio, who purchased it from John Duveneck. Traxel 
appraised the paintings left by Frank Duveneck. 


Canvas 22x18 inches. 


No. 45 


JOUETT, MATTHEW HARRIS 
(American, —— 1827) 
Mrs. Brashear 
50: 
Bust portrait three-quarters to the left, head toward the front. The black 


hair parted in the middle and hanging at the sides in curls. She wears a black 
dress and green scarf. 


Canvas 25x21 inches. 


No. 46 
AMANS, JAQUES 
(American, 1801-1888) y2 SO 


—_— 
Portrait of an Old Lady 


Sitting slightly to the left, looking to the front. Deeply arched brown eyes, 
the brown hair parted in the middle and arranged in deep puffs over the ears. 
She wears a black coat with deep collar opened to show the frilled lace and breast 
pin adornment. 


Canvas 30x25 inches. 


No. 47 


EARLY AMERICAN 
Portrait of Captain Melancthon B. Woolsey fi Oa- 


Half length portrait of a young man, head to the front, the grey eyes 
looking slightly toward the left, with a wealth of dark brown hair brushed 
across the forehead, and bushy over the ears. He wears a black coat with 
deep turned collar, stock collar and black stock. 


Canvas 30x25 inches. 
Purchased from A. S. Caillier. 


No. 48 
MULVANEY, GEORGE 
(American, 1869) 
Fergus O'Connor | e® - 


The well-known Irish Chartist. Three-quarter length standing. His 
portrait was painted by the Irish portrait painter Mulvaney, whose spirited 
work and richly colored portraits are now so highly thought of in England. 
Painted in 1849. 


Canvas 36x28 inches. 


No. 49 


AMANS, JAQUES (1829) 
(American, 1801-1888) 


4 jo ; Andrew Jackson 


Half length, sitting toward the left, arms resting on chair arms, holding a 
cane in the right hand. Dark hair parted on the left side. High stock collar 
with black stock, black coat. 


Canvas 39x30 inches. 
Purchased from Armand Hawkins, New Orleans. 


No. 50 


JARVIS, JOHN WESLEY (Attributed to) 
(American, 1780-1839) 


5 0 William West 


| ace Half length portrait sitting at a table, the left hand holding a.book. Body 
turned slightly to the left, head to the front. The features are firm and muscular, 
brown eyes, slightly grey hair carelessly brushed over the forehead. 
John Wesley Jarvis was born in England in 1780, came to Philadelphia in 
1785. Studied under Edward Savage, painted in New Orleans, and was assisted 
by Henry Inman. His portraits of naval and military heroes are now in the 


old City Hall, New York. 
Canvas 32x25 inches. 


No. 51] 
EARLY AMERICAN (1835) 


Lieutenant-Governor Landry (Louisana) 


S. < Half length portrait, sitting and facing three-quarters to the right. The 
full round face turned toward the front and looking at the spectator. He wears 
gold-rimmed spectacles and has a smiling countenance. The dark hair brushed 
back from the high forehead and falling thickly over the ears. The right arm 
resting on a table, the left hand on the knee. He wears a black dress coat, white 
waistcoat, stock collar and black scarf. 


Canvas 42x33 inches. 


No. 52 


ORD, JOSEPH B. 
(American, 1805-1865) 


General Shields 3 Ss Pe 


Head turned slightly toward the right. Prominent features and large dark 
eyes, brown hair and short side whiskers. 


Signed upper left. 
Canvas 30x25 inches. 


No. 53 


NEAGLE, JOHN 


(American, |796-1865) 
) oO, 


General Zachary Taylor 


‘Bust to left, head turned; heavily arched eyes looking in the same direction, 
with an intense gaze. Wearing a black coat, stock collar and black stock. 


Canvas 24x20 inches. 


No. 54 


ELLIOTT, CHARLES LORING, N. A. 
(American, 1812-1868) 


Miss Mitchell 
Jp 0. 


Charles L. Elliott, who was born at Scipio, New York, in December, 1812, 
worked in New York City and died in Albany, his death occurring on September 
25, 1868. He became, after the death of Henry Inman, the leading portrait paint- 
er of America. Inman had foreseen that he would, for after a visit from Elliott 
shortly before Inman’s death, the elder painter remarked: “When I am gone 
that young man will take my place. He has the true idea of portrait painting.” 


Canvas 27x22 inches. 


No. 55 


LESLIE, CHAS. ROBERT 
(American, 1794-1859) 


15 az Miss Wymann 
A philanthropist of Baltimore ce shouts sa 
Panel 14x}) inches franet aes 
Purchased from Mrs. E. B. Briggs, whose family brought aaa 


Studied at the Pennsylvania Academy, and at the Royal Leslie Academy 
with West; he was elected a member of the Royal Academy, 1826. 


No. 56 


DUVENECK, FRANK 
(American, 1845-1919) 


_ 
Ay ai Lady with Fur Cape 


Purchased in New Orleans from a member of the family of the German 
banker, Baron Knoppf, who purchased it from the artist’s studio in Munich. 


Canvas 13x10 inches. 


Frank Duveneck, painter, korn in Covington, Kentucky, about 1845. He 
was a student in Paris for ten years or more and a pupil of Diaz. He sent five 
portraits to the Boston Art Club in 1875 and in 1877 he exhibited at the National 
Academy in New York. He had his studio in Munich and Florence, and in 
Boston, Mass., for two years. Elected member of National Academy in 1906. 
He died in Cincinnati, Ohio, in 1919. 


No. 57 


JARVIS, JOHN WESLEY 
(American, 1780-1839) 


Mrs. Thomas Urquhart A) O- 


Bust portrait, three-quarters to the right. Strong features well rounded, 
and large blue eyes. The hair is arranged in puffs and curls at the sides; she 
wears a lace hood and collar, over a dark bodice. 


Canvas 30x25 inches. 


Purchased from descendants. 


No. 58 


JARVIS, JOHN WESLEY 
(American, 1780-1839) 


Hotel Group of eaae 


Interesting scene in a tavern in New Orleans in the ’twenties, with numerous 
characteristic figures. 


Wood panel 21 14x27 inches. 


No. 59 


VAUDESCHAMP, JEAN JOSEPH / pO 3 
(American, 1790-1886) 


Mrs. St. Amant 


Half length portrait of an elderly lady, face to the front and looking at the 
observer. Wearing a dark dress and lace mantle. 


Canvas 32x26 inches. 


No. 60 
a 1) : BOGLE, JAMES 
Q (American, 1817-1873) 
Mr. Adams (of Louisiana) 


James Bogle, portrait painter, born in South Carolina in 1817. He moved 
to New York in 1836, where he studied under Morse. He was elected an As- 
sociate of the National Academy in 1850, and was an Academician in 1861. He 
painted many portraits in the south, Calhoun, Clay, Webster and his portraits 
of John Dix and Henry Raymond were among his later works. He died in 1873. 


Canvas 30x25 inches. 


No. 61 
SULLY 1S: 
| Ur 0 (American, 1783-1872) 


Rev. Samuel Gilman 


Unitarian minister of Charleston, S. C. Bust portrait, eyes toward the 
right; a round face with strong features, the brown hair growing thinly above 
the high forehead. He wears a black coat, turned collar, and black scarf. 


Signed at right—T. S. 1846. 
Canvas 30x25 inches. 


No. 62 


SULLY, THOS. (1861) 
G 0 (American, 1783-1872) 
Portrait of a Child 


Signed at right—T. S. 


Canvas 20x17 inches. 


No. 63 


DUBUFE, CLAUDE MARIE 
(American, 1790-1864) 


Madam Doelvalle ee § 2) ° 


Bust portrait, wearing a lace hat, and a red velvet low cut bodice. The 
features are round and strong and the flesh tints clear and youthful. The wealth 
of dark curly hair is parted in the middle of the forehead and hangs in deep puffs 
at the sides. A lace mantilla adorns the shoulders. 


Canvas 32x26 inches. 
Painted in New Orleans, 1837. 


No. 64 


SULLY, THOMAS 
190: Cimenean Toomer) 


Thomas Abthorpe Cooper (1776-1849) 


An English actor who came to America about 1795, he was a friend of the 
artist, Thomas Sully, and was with him in Virginia in 1804-07 (See Nos. 373 and 
374 of “Life and Works of Thos. Sully,’’ Biddle & Fielding, 1921.) Half length 
in costume, wearing a red cape. Painted on a wood panel 9 inches high, 7 inches 
wide. Signed with the artist’s monogram—T. S. 

Note—This portrait was purchased years ago from an old gentleman near 
Baton Rouge, Louisiana, who stated it had been in his family since he was a boy. 

Thomas Sully, the painter, born in Horncastle, Lincolnshire, England, 
June 19, 1783, came to this country with his parents at the age of nine years, 
the family settling at Charleston, S.C. Thomas established himself in Phila- 
delphia as an artist at the age of twenty-five, after a short residence in New 
York and in Boston, and after having received while in Boston some instruction 
from Gilbert Stuart. Within a year he went to London and studied for two years 
under Benjamin West, returning to New York, but making Philadelphia the 
home of his last years. He died there, November 5, 1872. 


No. 65 


ROTHERMEL, P. F. 
bs Q- (America| igeiecee 


Female Portrait 


Ideal portrait of a woman in costume, bust toward the right, head to the 
front, eyes looking at the observer. She has black hair hanging in curls below 
the ears, a well-rounded face and brown eyes, and wears a costume of white 
and red with lace front. 


Canvas oval, 24x20 inches. 


No. 66 


- EARLY AMERICAN 
General Winfield Scott 


Heroic bust portrait in uniform, body toward the left, head to the front, 
and looking upward. 


Canvas 30x25 inches. 


No. 67 


INMAN, HENRY 
(American, 1801-1845) 


Portrait of a Lady 


Nearly half length, sitting in a chair turned toward the left, the head toward 
the front, eyes looking directly at the observer. Her brown hair is arranged in 
puffs at the sides over which is laid a lace and ribbon cap. She wears a black 
dress and deep lace collar, adorned with jewelry and chain, and her left hand 


rests on a book. About 1840. 
Canvas 30x25 inches. 


No. 68 


NEAGLE, JOHN 
(American, 1796-1865) 


120. 


an 


George Washington ab i O. 


After the Athenaeum portrait by Gilbert Stuart. Bust portrait to the 
left, head slightly toward the front. He weasr a black coat with turned collar 
and white neckerchief. 


No. 69 


JOCELYN, NATHANIEL 
(American, 1796-1881) 


5 {. Charles M. Pope 


Was the son of Alexander Pope of Petersburg, Virginia. Mr. Charles Pope 
married Margaretta Emlen Howell of Philadelphia, who was considered one of the 
most beautiful women of that city. Nathaniel Jocelyn painted a miniature of 
Mr. Charles M. Pope several years before painting the portrait, this is illustrated 
in “Heirlooms in Miniatures,’ by Anne Hollingsowrth Wharton. 

Full bust, head slightly to left, dark curling hair, seated with arm resting 
on end of sofa. White collar, neck cloth and bow tie, high collared dark coat. 

Nathaniel Jocelyn was born in New Haven, Conn., in 1796 and died there 
in 188]. He was an engraver, who turned his attention to portrait painting 
miniatures and later he painted many portraits in oil. 


Canvas 30x25 inches. 


No. 70 


WALDO, SAMUEL L. and JEWETT, WILLIAM 
(American, 1783-1861; 1795-1874) 
Mrs. Levi Pierce 


fo 
An elderly lady, bust length with well-rounded features, the dark brown 

hair parted in the middle, smiling brown eyes looking at the observer. 
Samuel L. Waldo and William Jewett painted together in New York City 


for eighteen years. Their work is owned by the City of New York, the Met- 
ropolitan Museum and prominent art galleries throughout the country. 


Canvas 30x25 inches. 


No. 71 


TRUMBULL, JOHN (Attributed to) 
(American, 1756-1843) 


Richard Henry Wild 9 (ake 


Distinguished as a statesman and writer. Dean of the first law school of 
Louisiana and classed as a master in prose writing. 


Canvas 30x25 inches. 
Purchased from C. W. Boyle. 


John Trumbull was born in Lebanon, Connecticut, 1756, and served in the 
Revolution under General Washington. 


No. 72 


STUART, GILBERT 
(American, 1777-1822) 


ae oe. Abraham Touro 


Merchant of Newport, R. I., and Boston, Mass., brother of Judah Touro, 
philanthropist of New Orleans. 

This portrait was given by Judah Touro to Gershon Kernen - New 
Orleans. Painted in Boston, Mass., about 1817. A replica is owned by the 
Massachusetts General Hospital. 


Noted and illustrated (No. 846) in the works of Gilbert Stuart, by Laurence 
Parks. 


Canvas 27x22 inches. 
} Illustrated. 
Purchased from the Estate of Gershon Kersheedt by Dr. I. M. Cline. 


NO. 72 


No. 73 


{EO 
INGHAM, CHAS. CROMWELL (1840) 
(American, 1863) 


(One of the founders of the National Academy of Design) 
Commodore Matthew Cailbraith Perry, and His Wife, Jane Slidell 


Probably painted when Perry had charge of Navy Yards adjacent to New 
York and Boston. They are life size, three-quarter length standing, that of 
the Commodore facing three-quarters to the right, with a marine view on the 
right, and that of Mrs. Perry standing in a garden landscape, and aoe three- | 
quarters to the left. ~ 
He stands out pre-eminently today as one of the greatest men the U. S. a 
Navy has ever produced; he was not only a commander—but a diplomat as 
shown in the handling of the Emperor of Japan, when he opened up that country 
to the commercial world in the ‘fifties. His wife was a noted beauty in her day. 


No. 74 


PRATT, MATTHEW 


(American, 1734-1805) lo Se ¢ 


Lieutenant-Governor James Hamilton 


James Hamilton was born about the year 1710, before his parents removed 
permanently to Philadelphia. He resided at what was then Bush Hill, his late 
father’s seat, north of Vine Street. : 

He was Mayor of Philadelphia for the year beginning October, 1745, also 
a member of the Provincial Assembly, Lieutenant-Governor of Provinces and 


Territories, Deputy-Governor, 1759, he died 1783. 
Canvas 50x40 inches. 


Matthew Pratt was born in Philadelphia, and was a pupil of Benjamin West, 
in London, 1764-68. 
Illustrated. 


No. 74 


No. 75 


ROBERTSON, WALTER 
U a 2 : Ivory Miniature of George Washington. 


Painted by the Irish miniature artist who came to America with Gilbert : 
Stuart in 1792. Roberston was a friend of Stuart’s and made many copies of 
his paintings of Washington. 


Original frame, enclosed in tooled leather case, 3144x414 inches. 


This miniature was purchased from the Grant Family of Scotland. 


No. 76 


AUGUSTE, CHARPENTIER | 
_ (American, 1815-1880) 


Ar? ' Armand Dalhast 7 nh 


A member of an old and well-known French family residing in New Orleans. 
Armand Dalhast was a distinguished student and was well known in his day. 
His portrait was painted by Auguste Charpentier in 1837. He was a connection 
of the Roman family of New Orleans and the portrait was purchased from the 
estate. 


Canvas 29x36 inches. 


Auguste Charpentier, a French-American portrait painter. Born in Paris, 
1815, he died in Besancon, in 1880. He was a pupil of Ingres, and exhibited 
in the Paris Salon of 1833. He lived and had his studio for many years in 
New Orleans, where he painted numerous fine portraits. 


Illustrated. 


Le 


76 


No 


No. 77 


ELLIOTT, CHARLES LORING, N. A. 


: NE S f (American, 1812-1868) 


Mrs. Cornelius Boyle 


A Virginian, residing for years in Washington, D. C., and moving in the 
social life of the Republic. She is said to have been a connection of the 
Virginia family of “Pages,’’ and this portrait was purchased from a sale of the 
Page family effects. 


Ni 


Bust, Canvas 25x30 inches. 


No. 78 


ALLSTON, WASHINGTON 
Ne £ 0: General Andrew Jackson (About 1820) 


Half length sitting, three-quarters to the left, the left hand resting on the 
back of the chair. The features are strong, the flesh tints clear, the iron grey 
hair carelessly brushed forward. He wears a black coat, high stock SUES and 
white stock. A dark neutral background. a 

This approaches the miniature by A. Vallee, which Jackson pranontced a in 
writing as his best portrait. 


Canvas 29x23 inches. 
Illustrated. 
Purchased from the Tissot Collection. 


No 78 


No. 79 


METCALF, ELIAR 
(American, 1785-1834) 


3 O = General Benjamin Buisson 


An officer under Jackson, and a leader in civil and military affairs in New 
Orleans, 1815 to 1840. 

Nearly half length, body toward the right, head front. Strong round 
features with cleanly shaven face, long wavy grey hair. He wears a brown 
coat with deep shawl collar, opened at the neck revealing a white jabot and 
shirt. . 
Eliar Metcalf painted in New Orleans from 1818 until 1823. 


Canvas 32x26 inches. 


Purchased from descendants. 


No. 80 


DUBUFE, CLAUDE MARIE 
(American, 1790-1864) 


| % O- Mr. Deloalle 


Half length portrait, bust three-quarters to the right, wearing a black 
coat and brown waistcoat, stock collar and scarf. His face is round, rather 
corpulent, the black hair brushed forward about the forehead. 


Canvas 32x26 inches. 


Illustrated. 
Purchased from descendants. | 


80 


No 


No. 81 


ELLIOTT, CHARLES LORING, N. A. 
Y- Oi (Ameneane (S10 1a0e. 


Dr. Cornelius Boyle 


A Virginian, residing for years in Washington, D. C., and moving in the 
social life of the early Republic. He is said to have been a connection of the 
Virginia family of “‘Pages,” and this portrait was purchased from a sale of the 
Page family effects. 


Bust, Canvas 25x30 inches. 
See Note on Exhibit No. 54. 


Elliott’s portraits are strong with rich color used to good effect. His heads 
are. painted vigorously, with a free full charged brush, having almost a riot 
of color, held, however, well in hand. 


No. 82 


MORSE, S. F. B. (Attributed to) — 
Sk | g ‘ (American, 1791-1872, Pupil of Benjamin West) 


Emma Shields 


Daughter of Thos. Shields. She was a noted belle of New Orleans in the 
thirties. Painted in 1837. Half length portrait, in low neck white dress. 


Canvas 30x25 inches. 
Illustrated. 


No. 82 


No. 83 


: SULLY, THOMAS (Sr. and Jr.) 
4 os 0p « (American, 1783-1872) 
Mme. Valcour Aime 
Member of an old French family, living near New Orleans, La. Portrait 
attributed to Thomas Sully by the family. Painted in oval. Bust, head to 


right, low neck dress, with shawl draped over shoulder. Hair arranged in long 
curls with comb at back of head, blue sky and background. 


Illustrated. 
Canvas 3025 anchess o, 


| 
| 
| 
i 


NO. 83 


No. 84 


u-') 5 ; DUNLAP, WILLIAM, N. A. 
(American, 1766-1839) 


Thomas Sully (As a Young Man of Twenty-five) 


This portrait of Thomas Sully, was purchased from the Misses Sully 
(deceased), nieces of the artist. It was said by them to have been the work 
of William Dunlap, in 1807, at which time Sully and Dunlap were together in 
New York. It is signed “W. D.” 

Full bust, head to left, frilled shirt front, white neck cloth and high collared 


shirt. 
Canvas 30x25 inches. 
Illustrated. 


William Dunlap was an author, actor and manager as well as a painter. 
He was born at Perth Amboy, New Jersey, February 19, 1776, and began 
painting portraits at the age of seventeen. At that age, in 1783, he was ac- 
corded an opportunity to make a portrait in pastel of General Washington at 
Rocky Point, near Princeton. He wrote, and published in New York in 1834, 
a ‘History of the Rise and Progress of the Arts of Design in the United States,” 
the earliest book on the subject. He died in New York City, September 28, 1839. 


No. 84 


No. 85 


PEALE, REMBRANDT 
(American, 1787-1860) 


aL O Milton Dictating to His Daughters 


Milton seated in his study, attired in black, with a blue cloak, one daughter 
stooping on the floor in front of him, is writing in a book which she rests on her 
knee. The other sits on a low ottoman to his left, her face raised in profile 
toward him intently following his words as he sits with raised hand and his 
face turned upward. 

A heavy curtain is draped at the end of the room on the right, beyond 
which a part of a pipe organ is seen. 

The light falling from above accents the delicate flesh tints, leaving a 
neutral dark background. 


No. 86 


OG) S « PEALE, MISS —, (Daughter of Rembrandt: Peale) 
Mrs. Siddons in the Character of ““The Tragic Muse” 


Copied from the original of Sir Joshua Reynolds, once owned by the Duke 
of Westminster, but now the property of Mr. R. P. Huntingdon, New York. 

This (together with the Milton picture) have been the property of the 
family of the Hon. Richard Rush, and were in his home “Sydenham,” near 
Philadelphia for many years. They were bought by Mrs. James Rush and 
were in her house at Nineteenth and Chestnut Streets (now the Aldine Hotel) 
from 1847 until her death in 1854, bequeathing them to her brother-in-law, 


the Hon. Richard Rush. 
Illustrated. 


No. 86 


No. 87 
SULLY, THOMAS 
(American, 1783-1872) 
_ 
| AL ron Portrait of Edgar Allen Poe 


Bust to the right, sitting in a chair, the head turned toward the observer. 
Dark brown hair brushed forward. He wears a black coat, high stock collar 
and black stock. Sitting before a curtain draped from the right and showing 


a landscape background. 
Done in Philadelphia, by Sully, from sketches by him. 


Signed at lower right, T. S., 186]. 
Canvas 30x25 inches. 


No. 88 


ARTIST UNKNOWN 
Richard Penn 


( 0 1 A bold bust portrait, body to the right, head turned front toward the 
spectator. The clean shaven face portrays the strong well rounded features, 
and the wealth of brown hair brushed .back from the forehead, hangs thickly 
over the shoulders. He wears a brown high cut coat and waistcoat and white 


scarf. : : 
Canvas 28x24 inches. 
No. 89 
NEAGLE, JOHN (1853) 
(American, 1796-1865) 
Portrait of a Little Girl 
| : Bust length. Brown hair parted in the centre, hazel eyes, round strong 
ace. 


Signed on left. 


Oval, Painted on Canvas 24x20 inches. 


No. 90 


EARLY AMERICAN PO 
Landscape and Figures 


Carrying a ‘“‘lady-a-London.”’ A group of two boys carrying a young Miss 
across a small stream. Behind them a horse and other figures following after 
them. The landscape is through a mountainous country. 


Canvas 28x22 inches. 


No. 91 


: LAMBDIN, J. R. fal 
(American, 1807-1889) 4.5 ; 


Portrait of the Artist’s Brother 


Three-quarter length, facing to the right. Head turned slightly to the 
front. Wearing a military officer’s uniform. 


Canvas 35x25 inches. 


: 
| 
| 


No. 92 


NEAGLE, JOHN (1835) 
(American, 1796-1865) } 7 0 


Charles Wooley 


Nearly half length sitting, left hand over the arm of a chair. Three- 
quarters to the right, head to the front. A wealth of dark hair waving above 
the forehead and brushed forward on the sides. He wears a black coat with 
high turned collar, white waistcoat and neckerchief. Against a dark back- 
ground with tall pillar. 


Canvas 28x24 inches. 


No. 93 
EICHHOLTZ, JACOB (1835) 
y 0 (American, 1776-1842) 
; Guglielma Maria Collins (Afterwards Mrs. Philip Chase) 


Half length sitting in a chair toward the left, the head turned to the front. 
She wears a low cut green dress and sits before a landscape background, with 
a red curtain draped at the right. 


Signed at lower right. 


Oval, Painted on Canvas 36x29 inches. 


No. 94 


SULLY, THOMAS 
(American, 1783-1872) 


as Madonna of the Chair 
Z 'e) ‘ Copied from Raphel’s Madonna of the Chair. 


Canvas 18x15 inches. 


No. 95 


TREGO, JONATHAN 


(American painter, born in Pennsylvania) 


Portrait of a Lady 
Bust portrait, sitting in a chair toward the left, head to the front, the dark 
hair parted in the centre, brushed flat and hanging in curls below the ears. 
She wears a low cut dress. 


Canvas 30x25 inches, Framed in Oval. 


No. 96 


EARLY AMERICAN 


Mr. Maignan LE 


Half length, body three-quarters to left, head toward and looking at the 
observer, he holds a quill pen and paper under his hands. He wears a black 
coat, stock collar and white scarf. His face is round, high forehead with soft 
grey hair. 

Canvas. 36x28 inches. 


Purchased from descendants. 


No. 97 


LAWRENCE, WASHINGTON | 
ray | = 
37 us Portrait 


Bust to the left, the round pleasing face turned to the front. He has short 
white hair extending in puffs at the sides. He is clad in a black coat, white 
ruffs and collar. 


Canvas 24x20 inches, Oval. 


No. 98 


ARTIST UNKNOWN 


Portrait of an Oriental 
) S i Head and bust of a man wearing a high fur hat, black coat, ruffled collar, 


and bedecked with a chain. The round face is rugged, he wears a small mous- 
tache and goatee, the large dark eyes peering straight at the observer. 


Canvas 24x17 inches. 


No. 99 


WALDO, SAMUEL L. 
(American, 1783-1861) 


Boy with Dog me K 2 


Half length figure of a young boy with fair round face and light hair, with 
his dog companion. 


Panel 30x24 inches. 


Purchased from A. S. Caillier, 


No. 100 


VAUDECHAMP, JEAN JOSEPH — 
(American, 1790-1886) 


30 : Portrait of Mr. Wilson 


Half length sitting, three-quarters to the left. 


Canvas 30x25 inches. 


No. 101 


SALAZAR, JOSEPH D. 


(American) 


Portrait of Mr. A. M. St. Amant of Louisiana 


This picture was purchased from his descendants. 

b 19 , Joseph D. Salazar was a New Orleans portrait painter, very little is known 
of his work. A portrait of Mr. Coxe of Philadelphia painted in 1792 was ex- 
hibited at the Pennsylvania Academy of Fine Arts, in 1887, at the exhibition 
of historic portraits. 


No. 102 


DEVIEEES ss 


(American) 


Jules Leblanc 


A strong portrait of a sharp featured man, taken half length sitting in a 
" 0 chair, body three-quarters to the right, right arm resting on the back of the 
* chair, left hand inside the waistcoat. Head turned toward the front looking 
at the observer. High forehead with thin grey hair brushed up. He wears a 
high stock collar and black cravat, black coat, tan vest, etc. 
The background is a dark curtain drawn aside revealing a marine view. 
J. Deville maintained a studio in New Orleans from 1840 until 1855. 


Signed at lower left. 
Canvas 32x26 inches. 
Purchased from Armand Hawkins, of New Orleans, La, 


No. 103 


SPENCER, F. R. 
(American 1806-1875) Ls 
Mrs. Rich ; 


Three-quarter length sitting toward the left, head turned to the front and 
looking at the observer. Her corpulent form is clothed in grey silk and lace, 
with a lace cap on the dark brown puffed hair. A red curtain forms the back- 
| ground, parted on the right and showing a bit of landscape. 


! Canvas 36x29 inches. 


No. 104 


VANDERLYN, JOHN 
(American 1775-1852) 


Mr. Miles Owen 7 0 


7 


A banker in Natchez, Mississippi, in the thirties and ’forties, and com- 
mission merchant in Memphis, Tennessee, in the ’sixties and ‘seventies. 

Body half length in profile to the right, the head turned front and looking 
toward the observer. A well-rounded and clean shaven face, the brown hair 
rolling carelessly back from the high forehead. He wears a black coat with 
deep rolling collar, stock collar and black scarf. Against a neutral dark back- 
ground. 


Canvas Oval 30x25 inches. 


105 


CAMPANION 72 
Mrs. Miles Owen (Martha Foster) 


Wife of the above. By Vanderlyn, Same size and framed to match pre- 
ceding item, 


No. 106 


VANDERLYN, J. (Attributed to) _ 
(American 1775-1852) 


pe ie Jokn Stoddart (First Secretary of the U. S. Navy, 1798-1801) - 


Full round clean shaven face, with double chin, large hazel eyes, high 
forehead, thin crimpy grey hair brushed up. He wears a black coat, white 
waistcoat, stock collar and jabot. Bust to the right, face front, looking at the ~ 
observer. 


Panel 26x22 inches. 


No. 107 


JARVIS, JOHN WESLEY (Attributed to) 
(American, 1780-1839) 


Judge Alphonse Barnett 


Half length sitting portrait, three-quarters to the left, head toward the 
“spectator, the dark hair brushed carelessly forward over the forehead and 
3 ») wearing side whiskers. He wears a black coat and waistcoat, deep stock collar 


and black scarf. 
Canvas 33x27 inches. 


Purchased from descendants. 


No. 108 


BOWMAN, F. G. 


(American) 
Portrait of a Colonial Dame 
Portrait of an elderly lady with full rounded features, taken at half length 
in low fashioned blue dress, trimmed with old lace, body turned slightly to the 
left, the face turned to the front. 


ed F. G. Bowman was born in Pennsylvania and maintained a studio in Boston. 
Bs ‘) * His work was exhibited in Boston, at the Atheneum, about 1800. 


: Canvas 30x25 inches. 
Purchased from the Carrol House, Annapolis, Md, 


No. 109 


JOUETT, MATTHEW HARRIS 
(American, —— 1827) 


Portrait of a Gentleman g-s- 


Wearing a brown coat, tan waistcoat, stock collar and white scarf. 

Matthew Harris Jouett was born in Mercer County, Kentucky, died in 
Louisville, Kentucky, in 1827. Studied under Gilbert Stuart, in Boston, Mass. 

Represented in the Metropolitan Museum, New York, by his portrait of 
John Grimes. 


| Canvas 30x25 inches. 


i 
j 


No. 110 


LAMBDIN, GEORGE C. (1865) 
(American, 1830) 


Over the Sea 


Portraying two young women standing on the shores of the sea, viewing 6 O 
the vast expanse of the waters from a verdant spot, and looking toward a rain- 
bow which has set in the breaking clouds after a passing shower. 


e 


Canvas 27x22 inches, on the back of which is inlaid a panel inscribed by 
the artist, “Painted for and presented to the Actors’ Fund Society of Phila- 
delphia, by Geo. C. Lambdin, 1865.” 


Exhibited at the Pennsylvania Academy of Fine Arts. 


No. 11] 


ARTIST UNKNOWN 7 
Portrait of William Penn C 


An early portrait of Penn at middle age. Bust to the right, face to the 
front and looking at the spectator. His long brown hair brushed back from 
the bold forehead, and falling to the shoulders. His features are round and 
robust. He wears a straight coat opened at the front, a white neckerchief with 
long flouncing. 


Oval, Painted on Canvas 30x25 inches. 


ARTISTS REPRESENTED 


AMERICAN, Earuty epee tl pall 
AMANS, JAQUES 12, 46, 49 
AMANS, J. G. L. (Attributed to) 29 
ALLSTON, WasHINGTON 78 
BOWMAN, F. G. 21, 108 
BOGLE, J. 60 
BERNARD, FRANCcISco 14 
CHARPENTIER, A. 13, 76 
DUVENECK, Frank 10, 44, 56 
DUBUFE, C. M. 63, 80 
DUNLAP, W. 84 
DEVILLE, J. 102 
ELLIOTT, C. L. 54,77, 81 
EICHHOLTZ, Jacos 9, 93 
HARDING, J. L. 23 
HEALEY, G. P. A. (Attributed to) 11, 28 
HARDING, CHESTER 18 
INMAN, Henry 32, 67 
INGHAM, Cuas. C. 30, 40, 73 
INMAN, Henry (Attributed to) Ly. 
JOHNSON, HastMan 8 
JOCELYN, N. 69 
JOUETT, M. H. 25, 43, 45, 109 
JARVIS, J. W. 57, 58 
JARVIS, J. W. (Attributed to) 39, 41, 50, 107 
LAMBDIN, G. C. 110 


UNKNOWN ARTISTS 


LaDy WITH A RosE 1 
A Lovistana PLANTER z 
Miss Emma SHIELDS 3 
PORTRAIT 5 
PortTRaAIT oF Mrs. Maicnan 6 
PORTRAIT OF A LADY 7 
NiIcHoLAs GIRROD 16 
Tuomas URQUHART 18 
Lorp ‘Byron 20 
Mrs. ABRAHAM LINCOLN 24 


Portrait, THomas McDonovuau, U.S. N. 34 


LAMBDIN, J. R. . 91 = 
LESLIE, C. R. 55 Jan 
MORSE, S. F. B. (Attributed to) 15, 82 
METCALF, E. i 79 
MULVANEY, G. — 48 
NEAGLE, J. 53, 68, 89, 92 
ORD. JB: be 
POWERS, A. G. 4 
PRATT. MM 74 
PEALE, Miss, 86 
PEALE, R. 85 
ROTHERMEL, P. F. 65, 33 
ROBERTSON, W. 75 
SPENCER, F. R. 103 
SULEYeAL: 61, 62, 64, 83, 87, 90, 94 
STUART, G. 72 
SALAZAR, J. D. - 101 
TREGO, J. 95 
TRUMBULL, J. (Attributed to) vai 
VANDERLYN, J. 104, 105 
VANDERLYN, J. (Attributed to) 22, 106 
VAUDECHAMP, J. J. 31, 59, 100 
WALDO, 8. L. 27,99 
WALDO, S. L., and JEWETT, W. 26, 70 
WEYL, Max 35 
WASHINGTON, L. 97 
PoRTRAIT OF A YOUNG GENTLEMAN 36 
DANIEL WEBSTER 30 
CHARLES JAMES Fox 38 
PORTRAIT 42 
Captain M. B. Woo.usry 47 
Lr. GovERNOR LANDRY 51 
GENERAL WINFIELD ScotTr ° 66 
RIcHARD PENN ~ 88 
Mrs. MaIicnan 96 
PORTRAIT OF AN ORIENTAL 98 


PorRTRAIT OF Wm. PENN 111 


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MBER 12, 1805 


ESTABLISHED NOv 


SAMUEL T. FREEMAN & co. 


AUCTIONEERS 


1806-10 CHESTNUT STREET 


80 FEDERAL STR 


s 


BOSTON, MASS. - 


PHILADELPHIA, PA. 


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